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Three Lives, Three Narratives: Visions of Death in the art of Jonathan Hammer, Ben Gocker and Saul Chernick

Damien Hirst’s diamond skull titled “For the Love of God,” from 2007, was the perfect critique on the lasciviousness that once saturated the contemporary art market before undergoing a series of drastic changes during the following three years. ┬áThe glitzy skull not only brought up the issues surrounding blood diamonds but it portrayed the vice … Continue reading